Skip to content
Try Our Producer Challenges - Win Samples & Real Prizes
Try Our Producer Challenges - Win Samples & Real Prizes
Teenage Engineering EP-133 K.O. II Firmware 2.5 - USB Audio, Auto-Chop and Arpeggiator for Beat Producers

Teenage Engineering EP-133 K.O. II Firmware 2.5 - USB Audio, Auto-Chop and Arpeggiator for Beat Producers

Quick Summary

Teenage Engineering dropped firmware 2.5 for the EP-133 K.O. II on 24 June 2026 -- a free update adding USB audio in/out, equal-length auto-chop, sample reverse, an arpeggiator, and improved timestretching. For beatmakers already using the K.O. II, it closes several long-standing workflow gaps without touching the hardware.

Teenage Engineering EP-133 K.O. II compact sampler with OS 2.5 firmware update

The EP-133 K.O. II running OS 2.5, now with USB audio and equal-length auto-chop onboard.

Hardware Drum and Bass Beat Production Sampler
▸ What's new in OS 2.5
  1. USB audio in/out -- connect the K.O. II directly to your DAW or phone as a class-compliant audio interface, no extra hardware needed.
  2. Equal-length auto-chop -- slices a sample into even divisions automatically, built for chopping breakbeats in one move.
  3. Sample reverse -- flip any sample on a pad without leaving the device.
  4. Arpeggiator -- arpeggiate samples in one-shot or legato mode from keys mode, added after repeated community requests.
  5. Improved timestretching -- heavily stretched samples no longer double or skip, ported from the EP-1320.

USB audio is the headline addition. Until now, getting audio out of the K.O. II into a DAW meant running a cable into a separate interface. With 2.5, the device appears as a class-compliant audio host over USB -- stereo in and out. You can record the K.O. II output straight into Ableton Live or FL Studio without extra routing, and feed samples in from a phone or tablet in the same session.

The auto-chop feature has the most direct application for DnB producers. Chopping a break on the K.O. II previously required manual slice points. Now, equal-length auto-chop divides the sample into even divisions -- load an Amen break, pick your division count, and the pads are ready to play. Combined with the improved timestretching, stretched breaks should track tempo more cleanly at DnB tempos without artefacts on longer loops.

Worth noting: the 40-second mono sample cap is not a storage increase. Switching a pad to mono doubles available record time from 20 to 40 seconds -- useful for longer texture beds or drop atmospheres without eating into polyphony any further than necessary.

For drum and bass producers: Auto-chop and USB audio together make the K.O. II a more credible standalone break-chopper. If you use one for live sketching, the update is free and available now -- the new chop workflow alone saves several steps per session.
Previous article d16 Group PunchBox 2 - Wavetable Kick Design for Drum and Bass Producers
Next article Bitwig Studio 6.1 Beta Lands With a Rebuilt Sampler, Spectral Time-Stretching and Granular Fragments Mode

Read More Music Production News

About KAN Samples

About KAN Samples

At KAN Samples, our mission is to preserve the rich history of Drum & Bass while helping producers shape its future.

Through free resources, classic break restorations, and professional-grade sample packs, we aim to empower artists at every level with tools that inspire creativity and respect the roots of the genre.